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British Colour Cinema
ISBN/GTIN

British Colour Cinema

E-BookEPUBAdobe KopierschutzeBook
Verkaufsrang78728inKunst
EUR37,49

Beschreibung

Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.
Weitere Beschreibungen

Details

Weitere ISBN/GTIN9781838714796
ProduktartE-Book
EinbandeBook
FormatEPUB
Format HinweisAdobe Kopierschutz
Erschienen am25.07.2019
Auflage1. Auflage
Seiten280 Seiten
SpracheEnglisch
Dateigrösse32587 Kbytes
Illustrationen30 b/w photos, 5 b/w illustrations
Artikel-Nr.34671247
KatalogVC
Datenquelle-Nr.4257853
Weitere Details

Autor

SIMON BROWN is Director of Studies for Film and Television at Kingston University. His work has been published in the journals Film History, Film Studies, Science Fiction Film and Television, Early Popular Visual Culture and Critical Studies in Television. He is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Sarah Street and Liz Watkins) and author of the Technical Appendix in Sarah Street's Colour Films in Britain: The Negotiation of Innovation 1900-55 (2012).

SARAH STREET is Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 1900-55 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of British Cinema and Television.

LIZ WATKINS is a lecturer at the University of Leeds. She has been published in a number of film journals, including Parallax, Paragraph and the British Journal of Cinema and Television. She is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Sarah Street).

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