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World Cinemas, Transnational Perspectives
ISBN/GTIN

World Cinemas, Transnational Perspectives

E-BookPDFAdobe KopierschutzeBook
Verkaufsrang54822inGeschichte
EUR49,99

Beschreibung

SCMS Award Winner "Best Edited Collection"

The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.
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Details

Weitere ISBN/GTIN9781135869984
ProduktartE-Book
EinbandeBook
FormatPDF
Format HinweisAdobe Kopierschutz
Erschienen am10.09.2009
ReiheAFI Film Readers
Seiten384 Seiten
SpracheEnglisch
Dateigrösse5591 Kbytes
IllustrationenAFI series design, 1 schwarz-weiße Tabellen
Artikel-Nr.30212269
KatalogVC
Datenquelle-Nr.3437179
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Reihe

Autor

Natasa Durovicová is Editor of 91st Meridian, the online journal of the International Writing Program at the University of Iowa. Her scholarship has dealt with the shifting concept of national cinema as a historigraphic category and with the role of language, voice and sound during the interwar years. Her current project bears on translation as a strategy of cognitive mapping of world cinema flows. Most recently, she was Visiting Faculty Member (2003-5) at the MAGIS Spring School [Gardisca, Italy}.
Kathleen E. Newman is Associate Professor of Cinema and Spanish at the University of Iowa. Her research and teaching focuses on Latin American, Chicano, and Spanish cinemas as well as on theoretical question regarding the relation between fictional narrative and politics and the relation between cinema and globalization. She is the author of La violencia deldicurso: elestado autoritario y la novella politicaargentina. Her current book project, Agentine SilentFilm: Feminism, Democracy, and Modernity, is a study of the relation between silent film, early feminist movements and democratization in Argentina in the first three decades of the twentieth century.